Published on 11/01/2026 · by Leandro Caldas, glazier, founder of Routeck and creator of the Arena
Glass grozing pliers solve a lot at the bench, but there is a trap every glazier has fallen into: taking off a strip that is too thin. In the Arena do Vidro final it happened on camera. The mirror had to lose a very small piece, the score did not run all the way, the piece went to the pliers and the edge ended up full of teeth. From there on, it was sandpaper.
In this post I explain what happened, why a thin strip leaves teeth and the rule that came out of the bench: leave at least half a centimeter to take off. The full episode is in the video above.
The challenge was a mirror with a metal frame that could stand on its own, in 60 minutes. Halfway through, Janael’s mirror needed a small size adjustment. He scored it, but the strip that had to come off was too narrow to break out in one go. It went to the pliers, nibbling a bit at a time, and the edge came out jagged.
At the bench the comment was blunt: he should have taken off half a centimeter. Every time you take off too little, that is what you get. The advice was to take off more, leave at least half a centimeter to come off. With the edge full of teeth, the way out was to sand that glass and not lose the piece.


This is bench knowledge, not a lab number. A score only opens clean when you can lever both sides of it. With a wide strip, the piece coming off has body, the force spreads out and the crack runs straight along the score.
With a strip a few millimeters wide there is nothing to grip. You squeeze the pliers at one point, the glass breaks only there and the crack wanders off the score. Repeat that along the edge and you get the row of teeth we saw in the final. Every tooth then becomes sanding or edger work.

A lot of ugly edges are born in how you tap the score. In EP1, Vinícius, a judge with 30 years in glass shops, explained that tapping with the ball end of the cutter can make a “mini oyster” chip in the mirror backing, and that costs time later when seaming and sanding. His technique was a light tap from underneath, turning the piece until the whole score opened, and only then breaking out.
Put the two lessons together: a fully opened score, a strip with body to lever, pliers to break out. That way the edge comes out almost finished.
When the tooth is already there, sandpaper is what is left. That is what saved the piece in the final. Always sand wet, so you do not raise glass dust or heat the edge. Work along the edge, not across it, until the big teeth are gone, and knock down the sharp arris so nobody gets cut during installation. With a metal frame covering the edge, it can be delivered. On a mirror with an exposed edge, the real finish is on the edger.
Want to talk about cutting and finishing mirrors in your glass shop? Message me on WhatsApp at +55 31 9095-8383. And if you want to show your method at the bench, applications for the next season of Arena are open here on the site.
Full episode 4 · How to break out a mirror without chipping · How to edge a curved mirror without breaking it · The Arena do Vidro final
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