Published on 10/12/2026 · by Leandro Caldas, glazier, founder of Routeck and creator of the Arena
In the second challenge of Arena do Vidro I gave Janael and Rômulo 10 minutes. Make a mirror in any shape, with any material, cut by hand, and hand it to me finished. It sounds like plenty of time if you've never handled a mirror. If you're in the trade, 10 minutes is nothing: you have to pick the shape, score, cut, break it out and still finish the edge.
The finish is where the two split. Janael made a leather edge mirror with EVA foam underneath. Rômulo started out talking about leather too, but switched to a flexible frame. That choice, which every glazier makes at the counter almost every day, is what this post is about.
Janael put it well: "given time, you do it calmly, but under pressure, with 10 minutes, it was hard". The shape had to come on the spot. Watching from outside, the judges agreed on one thing: a basic circle or square won't cut it. To impress in 10 minutes, they'd go with a simple abstract figure, an organic shape that stands out but has no curves so tight they're hard to cut and break out by hand.
That applies in a glass shop too. When the customer wants something different and the deadline is short, an organic shape with open curves gives the special-piece effect without the risk of a sharp inside curve, which is where mirrors tend to break.
A leather edge mirror isn't just a strip glued on. Janael described the process: come up with the shape, cut it, glue the EVA, then lay the leather over it. Each step depends on the one before, and each takes glue time and fitting around the curve. He said himself he didn't think he'd make it.
At the judges' table the math was simple. One of them said he actually likes the leather finish better, but wouldn't go for it in 10 minutes: gluing the backing for the leather strip and then gluing the strip are two steps, and two steps in that time is a risk. Another judge would go with EVA and leather anyway, quickly. In other words, even the panel didn't agree, which shows there's no one right answer.
Rômulo went with time logic. In his words, the flexible frame "saves me from edging the glass". It makes sense: the frame wraps the edge and hides the cut, so you skip edging, which is exactly the step that eats the most time and causes the most trouble on a hand-cut piece.
But the faster option on paper isn't always faster at the bench. During the judging, one judge said Rômulo thought the frame would be easier and then struggled with it. Janael, who took the hard road, seamed the edge and delivered. Anyone who has fitted a flexible frame on a curve knows: if the cut isn't even, the frame shows every wobble.
| Leather edge over EVA | Flexible frame | |
|---|---|---|
| Steps after cutting | Seam the edge, glue EVA, glue leather | Fit the frame onto the edge |
| Edging needed? | In EP2, Janael seamed the edge | No: the frame hides the cut |
| Risk on a tight deadline | Higher: two gluing steps | Lower on paper, but needs an even cut |
| What the judges thought | More visual impact | Eye-catching, but more basic |
The panel preferred Janael's mirror. Natan said that if he had to buy one of the two, he'd buy his. And one judge summed it up: the leather with EVA behind it has more visual impact. The one who risked two processes and still delivered on time won the panel over.
The full episode 2 is on YouTube, and I broke down the street-selling part in another post. If you run a glass shop and want to show what you can do at the bench, applications for the next season are open here on the site.
Full episode 2 · How to sell a mirror on the street in 35 seconds · How to edge a mirror without dust
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